Ogling our eyes at artworks to interact with a multisensory environment designed for observation. This is displayed before us to experience under heightened awareness sounds, vibrations, textures, sculptures and scents from a distance. While we gaze, a new reality is created and says to us not the obvious but how we give meaning to it, predict for ourselves in the moments away from traditional.
There are exhibits in the museums created for such visualisation enabled by artists, whereas the opposite form is just discursive and does not lend a detailed inside viewing. You are engaged as the spatial quality makes a shift to realise a virtual reality, drenched in a world stretched across bounds, and stood in a broadened accessibility for a field of vision exceeds for you. For example, you can see Van Gogh’s projections. It all seems aspirational, also spoken as a new media regime for advertorial concepts of marketing and entertainment.
Much of it is felt just as glimmering continues with tints and hues incredibly floating in a 360-degree expansiveness. The works are installed around the world.